An Essassani Story

Part One: The Storytellers of Essassani

We would like to begin this transmission this day of your time with what we will title as “Essassani Stories.”

In this transmission, we would like to share with you an Essassani story about Essassani storytellers.

We are generally telepathic with each other. Our world would appear to be very quiet because no one is talking, the idea thus of having a telepathic connection, tele-empathic connection with all the people on our planet may still be expressed in very specifically focused ways. Not everyone is connected to everyone consciously all the time in terms of what information they may need to tap into.

It is simply based on the synchronicity of what an individual may need to be telepathically aware of at any given moment that makes them aware and connects them to whatever other individuals or groups in our society are, in a sense, transmitting whatever information they synchronistically need to know at that particular moment.

So in other words, not everyone is listening in to everyone else all the time, even though we are always all connected.

Thus then, the idea, just as on your own world, is that there are specific bits of information that serve specific individuals or groups at specific times and specific timings.

The Role of Storytellers

We have in our world a group of individuals who have chosen to function in much the same way that we have defined the group that I belong to, which are called First Contact Specialists, who are engaged in the idea of initiating and creating dialogues in an ongoing manner—or in the first contact with certain civilizations that eventually may join our Interstellar Alliance.

There are groups of people that we call the Storytellers.

The Storytellers are those that, once contact is made—be it in the manner that we are doing now in this way, or be it that we have established open contact with the world and that they have the opportunity to go, in that sense, physically to visit those civilizations—the Storytellers are those that will take the information gleaned from the stories of any particular civilization and will thus come back to Essassani with those stories firmly embedded in their minds and will thus then provide those stories, those points of view, that information to our society as is needed by any individual within our society according to the synchronistic timing that they need that information.

So these Storytellers perform a very particular function, in a sense as you would say, of downloading and uploading information from a variety of civilizations. They are in that sense very much like the bees on your planet that go and gather honey and allow the hive, in that sense, to partake of what they bring back—sharing and exchanging information from dozens upon dozens of civilizations, learning their stories.

Part Two: Why Stories Matter

Here is the important point: What you also experience on your own world is that information is most often retained most strongly in the form of stories.

If you understand what is called story structure as it is related by the storytellers on your own planet in a variety of fashions and forms, you will understand something very important about story and story structure, and why the telling of stories is one of the most powerful ways to transmit and retain information in your world.

All the things you remember most about information have been told to you in terms of story structure, and that is why you retain it—because it is in story structure.

Why Story Structure Works

Many people talk about the idea of archetypes on your planet, and they recognize that archetypes are symbols that represent certain facets and aspects of your consciousness. And when you tell a story, many times you use many different kinds of archetypes in the telling of that story to represent certain ideas, certain energies.

But the idea is that story structure is itself an archetype. Story structure is embedded in your consciousness, in your physiological personality. When you crystallize your energy into the time-space continuum format, when you construct the physiological mind, the physical ego structure out of the space-time energy, in that sense, when you impose that structure on your consciousness to create physical personality, automatically embedded within that structure is the vibration called story.

It is the innate format in which information is communicated most strongly and retained most strongly by your physical mind, by your ego structure.

This is why, as children, you can never get enough stories—that’s how you learn. “Tell me that story, mother. Tell me that story, father. Tell me that story again. Tell me that story again.” The idea being that you always learn something new, you glean something new, because it is all there in the story structure.

Classic Stories and Resonance

If the story structure of your story matches the story structure that is innately, inherently embedded within your consciousness, then you will pluck all the right chords. The stories that you call lasting, the stories that you call classic, are so because they are matching the story structure in your consciousness. They hit all the right tones, all the right chords, and in that way are automatically embedding themselves through vibration into your consciousness, and you retain them that way.

Those stories that do not incorporate the idea of all of the elements of the natural story structure that is automatically archetypally embedded in your consciousness do not resonate with you. You feel—though you do not necessarily always know how to say it—that somehow it didn’t quite hit you, that something is missing, that it didn’t quite tell the story the way it needed to be told, that you do not identify with it, you do not feel it in your heart, your mind, your spirit, your soul. You do not feel it in your bones.

Communication Through Story

The idea thus is that if you will understand and learn what story structure is and how it is represented archetypally in your consciousness automatically, then when you communicate with others, those things that you believe and feel are most importantly representative of who and what you are and what your excitement is all about—finding a way to communicate the idea not in dry facts but in the idea of telling of the story of who and what you are—telling the story that excites you will always be the way to garner the interest of others, because you will be playing that tune, you will be striking those chords, hitting those harmonics that resonate within their consciousness in the story structure that is already embedded within their personality structure.

Learning to communicate with each other in the form of story—be it the idea that it appears that way obviously, or be it that it is more cleverly embedded in the way you communicate—doesn’t matter. It doesn’t even have to be in the order that you typically think it needs to be, as long as it contains all the elements and strikes the right chords at the right time.

Become Storytellers

The idea is that if you learn to communicate who and what you are in that format more and more, you will find that your communications will be in that sense more clearly heard. Doesn’t always mean that individuals must in that sense match the vibration of your story—doesn’t mean that your story always has to be compatible with others—but the idea is that you will more clearly explain what the story is that you are living, what the story is that you are all about, what the story is that you desire to experience in your world.

Become storytellers—tellers of the story that is your story. The story of your world, the story of your culture, the story of your individuality, the story of your explorations and experiences. Finding, learning, understanding story will allow you to become the kinds of communicators that will begin to spread those stories around your world.

Stories Between Nations and Cultures

Look at the ideas: when you share information between nations on your planet, you are telling stories of your culture, stories of your nations, stories of your experience, so that other individuals may be inspired. You are listening to stories from other cultures so that you may be inspired, so that you may inspire each other to learn new stories, to tell new stories, to create new stories—new adventures, new understandings, new experiences—and create your world to be a completely, completely, completely unfolding story of ecstatic exploration.

Look even to your language to understand the idea, for even in those stories you have experienced in what you call your space-time framework that you refer to as the past, you refer to it as “his story”—history. “Her story” as well, if you wish. But look at you—automatically, instinctively—you have embedded the word “story” in the idea of all that you have experienced. It is a story. It is told as a story, and that’s why you connect to it, why you remember it, why you relate to it.

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Part Three: The Essassani Storyteller Role Explained

On our world, the Storytellers will go, as we say, to many different civilizations, allowing the idea of the experiences in those civilizations—which may be similar to ours—to be absorbed, allowing the experiences which may be very different than ours to be absorbed. But in this way, obviously, thus translated into archetypal symbols that are germane for our civilization.

In much the same way that in communicating what is going on with our civilization to your civilization, and in communicating what is going on in your civilization to our civilization, there are symbologies that are used—archetypal symbologies—to allow for a translation to occur. Because many things that occur in our world and other worlds do not relate to yours; many things that happen in your world certainly do not relate to other worlds.

And so there must always be the translation, which is always part of the telling of the story—learning how to tell a story in ways that will relate to a number of different ways of translation, giving the idea of the vibration of an overall story, using the archetypal template, hitting the right chords, will allow you to tell the story in a manner that another person will automatically be capable of translating into the language they understand.

Universal Story Structure

Because the story structure is universal, so even though you may be utilizing certain archetypal forms that are specific to your culture to tell a story to another culture, if you hit the right chords and tell that story in the proper story structure, the other culture will basically get the understanding, get the gist of your story, even though some of the archetypal symbols within the story may be very foreign or alien to them. But they will understand the essence of the story, and thus they will be capable of telling that story again in a number of different ways, allowing the proper archetypal symbols that are different for each culture to take their place in that culture, in whatever culture is listening to the story, so that the translation can be understood.

So in all the things that we have said about our culture to you, we are always allowing the translation to occur through the channel’s brain with the vocabulary that he was raised to understand, to pick the subjects, pick the words, pick the terms, pick the definitions that most closely relate to the ideas that we are transmitting—because we are transmitting them according to the idea of the story structure that is common to both of our realities, to both of our civilizations, to any structure of consciousness that embeds itself in the idea or understanding of physical reality at all, or can relate to physical reality in any way, shape, or form—they’ll understand the idea of story structure.

Spirit Form and Story

Now of course, as we have said, in spirit form, in non-physical realities, the idea of time and space is very different, the idea of focus of consciousness is very different. Nevertheless, the idea of story structure to some degree even holds sway there, because the idea is that they create their own time frame. Yes, they may do things in a completely different order than you do, yes, but again, as long as those vibrations are had, as long as those chords are plucked, as long as the resonance of the story structure is there, they will relate to it, because this permeates many different kinds of levels.

Creation as Story

The idea really is that the entirety of creation is a story. It is embedded in all that is, and all things and all cultures and all dimensions and all beings are a story that All That Is is telling to itself. You are the story unfolding of All That Is.

On that scale, you are a story. On your own level, you are a story. On many levels in between, there are stories—stories all the way up and down the framework of existence, even to those dimensions that you would consider existing so far below in density, so far below in vibration—there are still stories. They may be heard differently, they may be experienced differently, but there are still stories, and information is still communicated using the story structure of consciousness as it relates to that specific realm or dimension of experience.

So become storytellers—learn what that’s all about.

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Part Four: Essassani Culture and Our Connection

On our world, as has been explained in our ancient language called Essassani—“place of the people,” “place of living light”—the Sani people, “living light,” is the translation.

We understand that our story is different than yours in many ways and similar in other ways, in that we are a hybrid civilization created out of your civilization and another culture from a parallel reality that you have referred to as the Grays, there being five hybrid civilizations, of which we are one.

The idea thus then is that we have our own stories and different kinds of experiences—some again different and similar to your own—but primarily where we share most strongly is in the concept of the stories of family, because we are connected to you. You are our family in many different ways, and so we communicate to you along the lines of understanding that we are family.

We also understand the commonality between us as creators—that we are inventors, we are creators, we are beings who experience the concept of joy and love and ecstasy just as you can as well, and even more than you do already.

Stories of Fear vs. Stories of Light

But we do not have stories of fear in our world that you may have in your world. We know that fear exists, we know the choice exists, but we simply choose other stories. It is up to you also to learn to choose other stories other than fearful ones, if that is what you prefer.

You will never lose your understanding, you will never lose your ability to choose the idea of fear. You will always find actually more and more ability to choose fear; you will always become more aware of the negative side as you expand the positive, because as you become more of who you are, you become more aware of all possible choices.

So the idea is not that fear goes away as a choice—it is simply that the experience of fear is not chosen. That you choose stories that are relevant to the idea of your acknowledgement of yourself as a being of light, your acknowledgement of yourself as an aspect of creation, and the way that resonates most strongly with the vibration of your preference in the moment.

The Now and Story Creation

As you choose to exist in every moment that you choose to exist from a different perspective of the same moment—because it is all one moment, it is all now—every now that you experience is simply the same now from a different point of view, and you tell yourself a different story. And as you tell yourself a story, you create the shifts of different parallel reality experiences that you have. As you tell yourself a story, you create the experience of the shift that you go through from parallel reality to parallel reality.

You are designing your experience based on the story you tell yourself that is most true for you, on the story you relate to most strongly with your belief systems. So if you do not prefer the story you are experiencing, then tell yourselves a different story.

“Tell me another story, mother. Tell me another story, father.”

Happily ever after. Tell yourself that story—happily now, happily ever after.

You will have your challenges, for what is a story without challenges? Because that is one of the resonant points of storytelling—there must be a challenge and there must be transformation. And that is all right, because in telling yourself the story that way, you will tell yourself the story that allows you to know that you have the ability to transform the challenge into something that expands your story, something that works for you, something that resonates most closely with who it is you believe yourself to be.

Tell yourself the story that you know is true for you. Be the storyteller to yourself, just as All That Is is telling itself the story of all that it is through all of you, through all of us, through all beings in creation.

The Infinite Story

It is telling itself the story of who and what it is through all the different perspectives it has created itself to be, through all the aspects, all the pieces, all the stories—an infinite, infinite, infinite array of stories is what All That Is is made of. It is one giant experience of a multitude—an infinite multitude of stories and perspectives about itself, thus experiencing itself in all the ways, in all the stories that it can.

Existence is one big story that goes on and on and on and never ends.

You can decide what aspect of that story you get to experience yourself to be. Tell yourself the story you prefer to be, for you are an unfolding story—always, always, always, and forever now.

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Part Five: All Beings and Their Stories

Then on our world, we also relate to many different levels of our planet in that sense—what you call the idea of the beings that are like us and the beings that are not: the animal beings, the tree beings, the rock beings, the star beings, the energy beings—all the different kinds of beings.

Even as many indigenous cultures on your planet relate to these things as people, relate to these realms, these dimensions, these worlds as their own stories—different kinds of stories—but you can share their stories as well, and the story structure will work for them as well.

So when you allow yourself to really understand and learn and master story structure, being that it is again archetypally embedded in your consciousness, you will realize it is archetypally embedded in the consciousness of all the other kinds of beings on your planet as well. So that when you share information or wish to learn information from them, if you approach them through the idea of “tell me a story” or “let me tell you a story,” and learn the idea of how to communicate through story structure, it will be easier for you to understand the stories of many other beings as well.

This is the innate template of communication—story structure is what it’s called on your planet. It is the innate template of communication.

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Part Six: The Ship’s Translation Template

Let me give you an example also of how this template works in translation in a variety of different ways.

Many of you know that when we are conducting these kinds of channelings, these kinds of transmissions to your world, we are engaged with the intelligence of what is called our ships—our computers on the ships, which are self-aware beings and actually are extensions of our own consciousness. A ship in a sense—a spaceship for us—in a sense is a crystallized form of our own higher mind, and we are constantly in communion with it.

In communicating these ideas to you, the sentence as follows—this is the template in the way the ship understands this concept using story structure:

Planetary symbol / linguistic temporal archetypal / idiomatic interactive communication / planetary symbol / linguistic temporal archetypal / interactive idiomatic communication

That is our ship’s way of saying: “Your world is getting smaller every day.”

Planetary symbol = your world Linguistic idiomatic = an idiom from your own language to represent Archetypal interactivity in a temporal fashion = your world, in your language idiomatically, is getting smaller every day Interactivity is increasing and accelerating

But that phrase is how our ship translates that story structure using the template in its most raw form, because that’s all the ship needs to do. There are not the nuances of culture for the ship—the ship is just a raw template format of communication of the raw story structure in its most simplistic archetypal formats, as far as the ship understands.

But this is the process that is going on in us transmitting these communications through that template of the ship through the story structure our own society understands—that our ship uses to translate into the idiomatic phrasing that makes sense and resonates within the channel’s consciousness to bring up the translations necessary for this communication.

So it gives you a little bit of understanding of the different kinds of translation processes that go on but still work to tell the story, even though it may seem very alien and very foreign to you to hear it in the raw template form and not really translate in that form to you. It automatically, using that template, automatically in a sense pulls through and from the channel the idea of the appropriate terminologies that are idiomatically representative in your culture to represent what it is we are transmitting from ours. Because if we were to simply transmit it in direct form as we understand it, the communication would be too alien for you to understand—it would not translate into your language in a way that would make sense, as we have just demonstrated with the raw, in a sense, template form.

Does that make sense?

All right, so this gives you a demonstration of how these translations occur in these transmissions and why sometimes it takes a little time, in your terms of time, for channeling to be something that is, shall we say, improved upon and practiced. So that bit by bit, as the channel allows themselves to relax into the story structure of their being, we can pluck the necessary chords more quickly, more automatically, more effortlessly, to allow the idea of the template to bring forth from the channel exactly what needs to be said more and more fluidly and fluently every single time the channel allows such things to come through.

Does that make sense?

All right. We will in time talk more about many aspects of our culture as it relates to this concept of story, but at this time, in exchange for the gift that you are giving us in sharing these ideas of our story with you, we ask you now: How may we be of service in allowing you to share your stories with us?

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Part Seven: Interactive Q&A - Personal Stories

First Question: Supporting Children in Education

Audience Member: Hi Bashar, and to you good day. What’s your story? Um, well before I get into my story, I want to say thank you very much for communicating with us and I know I speak for everyone in saying we love you.

Bashar: Our unconditional love to you as well. But that is not prior to your story—that’s a part of your story.

Audience Member: Touché. I have a question—I wanted to know how we can support children in helping this planet progress and evolve, as we have just discussed.

Bashar: This is very relevant. The idea is that more and more of what you call the education on your planet comes in the form of interactive storytelling. The more that you can dispense information that they need to be guided in life through the idea of allowing them to experience interactive stories—physically act them out, immerse them in actual interactive stories that the teachers have created, and let them live out those stories and face the challenges in those stories and actually come up with solutions to the challenges in an interactive, live way in those stories—the more they will learn.

If you design the stories according to what interests them, what excites them—this is very key in terms of the idea of education and guidance for children on any planet in that sense—that they be allowed to express what it is that excites them, what their story is, what format they need to hear the story in, so that the story can be told in a manner that they can understand, that they will resonate to. And in creating actual interactive stories that they can play out—which is why children play, by the way—then they will learn, they will problem-solve, they will create solutions creatively that will allow them to incorporate all the knowledge that they need to guide them in their lives as they unfold and expand into what you call maturity or adulthood.

Does that help you?

Audience Member: It does. So what is your story relative to this?

Bashar: Well, right now I work with them in an educational setting in a school—public school—yeah.

Audience Member: And unfortunately, up until this time—

Bashar: I beg your pardon?

Audience Member: Um, up until this time, yes, the people who make the decisions have been more focused on money rather than the best interest.

Bashar: And so what does that got to do with your ability to tell stories in the way that you prefer to? What’s your story here? Are you telling yourself that you don’t have the ability to do it in the way you prefer? Are you telling yourself that story?

Audience Member: What story are you telling of yourself?

Audience Member: I am telling a story of myself that says I am at the mercy of those that are not compatible with my story. That’s the story I’m telling myself. I would prefer to tell myself another story, but I haven’t done so yet.

Bashar: What story would you prefer to tell yourself?

Audience Member: I want to see the new system of education start to evolve.

Bashar: But I beg your pardon—it is evolving right now. You want to be the new system? Yes. Because when you say “I want to see it,” there is still some definition within your storytelling that says that’s one step removed from your ability to actually be the story. Right. Because sometimes in the current system, one may feel restrained from being, but that’s only because you’re telling yourself a restraining story. Tell yourself a story of freedom and creativity, and you will not experience restraint. You will allow yourself to attract into your story the opportunities, situations, circumstances synchronistically that will allow you, by using your imagination, to create your own way of telling, your own way of teaching, your own way of story construction.

Whatever excites you, maybe you need to start your own school. Have you thought about that? Somewhat. Well, is that not part of your story? Or can you not join a school that is more in keeping with the story that you would like to be telling? It’s possible.

Well then, why don’t you? What story are you telling yourself that prevents you from telling the story you prefer then?

Audience Member: I need more clarity about what that school would look like.

Bashar: That’s why you have an imagination. Yes, I agree. Well, how are you going to teach children if you can’t even teach yourself? Yes, yes—use your imagination to come up with what excites you and act on it to the best of your ability, knowing that you will attract what you need to allow you to fulfill that imagination.

Don’t put the expectation that the visualization that your physical mind has come up with must come out to fruition in exactly the way your physical mind has imagined. Use the visualization as a template, as a symbol, to create the feeling, the experience, the vibrational state of that story, of that reality, and let the higher mind bring you the elements that really need to be there to pluck the right chords in the story, so that the higher mind will bring you a story even grander than your physical mind has been capable of imagining.

But use what the physical mind has been capable of imagining to simply get the ball rolling, to act as a template, to act as a symbol, to get you in the proper state of being to allow the higher mind to deliver what needs to be delivered—because remember, you cannot perceive what you’re not the vibration of first. So getting the right vibration of being the storyteller you prefer to be, and the higher mind will tell you the story through your imagination conduit. That’s what imagination is—it’s the conduit of communication between your higher mind and your physical mind, and higher mind always communicates through that imaginary conduit in the form of story structure.

Let it resonate within you—that’s the visualization that you get. The representation of the visualization the physical mind conjures up is the representation of the story coming from the higher mind in story structure. So see the ideal story in your mind’s eye, behave like you see the version of you in that story behaving, and tell yourself that story. Make that story true for you. Make it your story.

Does that make sense?

Audience Member: Yes.

Bashar: Is our story coming across to your story? Yes. Is this something that you feel bold enough to do? Of course.

Thus then, is there any other impediment, challenge, or obstacle you’ve created in your story that you use to prevent yourself from moving ahead in that story?

Audience Member: I’ll have to think about that.

Bashar: Why?

Audience Member: Um, because it’s not clear to me at this point.

Bashar: Does it need to be?

Audience Member: I don’t know.

Bashar: The answer is no. Okay. You know why?

Audience Member: Um, tell me please. Thank you.

Bashar: What—tell you a story? Yes, please.

All right, remember that we have said—and this goes part and parcel with what we have said in our last transmission last night of your time—it is important to remember all the principles at once, for that will give you understanding. So the idea is that it is important for you now in your story to remember that excitement is a self-contained kit. It is the driving engine and the organizing principle, and therefore you don’t always need to know what it is that you may need to change right now.

If you are willing to act on your excitement and tell yourself the story that is truly you by simply moving forward in that excitement, by simply moving forward in that story, if there is anything you need to be aware of that needs changing, any challenge that you need to be aware of, any belief that you need to be aware of that requires your attention—moving forward in the story will bring you to that story point automatically, and you will then face it when that story point comes up. So you don’t need to know it now, but you will find it on your journey if you move forward in your story.

Make sense? Yes. Does that help streamline your story?

Audience Member: It does. Anything else?

Audience Member: Um, just one last part to my question—is there anything else I or we can do to help children in a one-to-one or small group setting? You mentioned the storytelling and having them acted out and live it themselves.

Bashar: Yes, create a story, have them act it out, and find out from them what excites them, so that you’re telling them the story—or letting them change the story—in a manner that applies to what excites them for their story. This requires creativity and imagination on your part and their part, and working together to create the story that inspires them.

Asking them questions: “How would you solve this? How would you imagine the consequences of this action might play out?” So they will understand the nature of action and consequence and experience and choice. Let them invent the story with you.

You understand? Yes. Storytelling is not just from me to you—it is a co-creation. Invent the story together. Even as these ideas, these exchanges, these interactions right now—as we have said, if you will remember—are creating a new third story. Not just our story, not just your story—a new story that contains us both. We’re creating a new story together. That’s what we’re doing in these interactions.

So with your children, create a new story together of what is possible. Teach them how to apply the idea of the story in their reality.

Does that help? Yes. Does that answer your question? It does.

Do you have a new story now?

Audience Member: I know hesitation usually means no, but—

Bashar: Does your story contain the idea of hesitation at times? All right, let that be all right. But are you willing to move forward in your story? Do you have a better idea of how to do so now that we have had this story discussion?

Audience Member: Yes, I do.

Bashar: Does that help you?

Audience Member: It does. Thank you.

[Applause]

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Second Question: Negative Beliefs and Wasting Time

Audience Member: Good day Bashar, and good day to you. What’s your story?

Audience Member: Oh, my story. Um, at least I know initially—uh, when I was at one of these last events in San Francisco, I realized after the fact I had an expectation that I was going to get to talk, to ask a question in person, and then I didn’t realize that until after the fact. And now coming here this time, I like all right, I’m just going to be here, just have fun, yes, fly up here, just have a good time—and then bang, what do you know? I’m here. So this was a wonderful surprise. Thank you for containing surprise in your story—it’s one of the most important story elements. Yes, good point. Thank you.

So yeah, this is a great idea using stories. I know it feels like I don’t know how, but somehow seems like this could be used—at least for me—to follow my excitement. At least something that I would like to follow really.

Bashar: It seems that way to you, doesn’t it? All right. How so?

Audience Member: Um, well, I mean, I know it feels like initially before I can move to do that, I got to—

Bashar: Before you can move, you’re always moving.

Audience Member: Well, at least my story right now is I’ve discovered some negative beliefs that I kind of, I guess, forgot about or put on the back burner. They just came up.

Bashar: But that’s the challenging part of the story—it’s exciting.

Audience Member: And so what are they? What’s one of them at least?

Audience Member: That by following my excitement, it seems like almost this task that has been given—

Bashar: Task—yeah, are you using that in a negative context?

Audience Member: No.

Bashar: It sounds like an amazing—

Audience Member: All right, but I asked you for one of the negative beliefs that you refer to.

Audience Member: Negative beliefs—uh, that I would be wasting my time, it wasn’t really true.

Bashar: Wasting your time. Yeah, wasting your time—you know, if I fall this excitement, it turns out, oh well, the thing that I was excited about—this idea that it would just be, you know, I would be going down a goose chase to nowhere.

Bashar: So and so I’m afraid you would find a goose—at least. Beast. Yeah, and do you not refer to the goose that laid the golden egg in your stories? True.

So the idea is that if you look at that as part of the positive experience, don’t you believe you’ll find the golden egg in that path as well? Because isn’t the golden egg finding out something that is not you, so that you more clearly know what is? Very much so. It’s part of your story—it’s not a waste.

True. Again, when you understand story structure, you would automatically know that that’s part of the story and not a waste of time. You need to understand story structure.

What you call red herrings and other animals that you use in your stories often provide the idea of seemingly going in a direction you don’t prefer to but wind up surprising you by giving you information you didn’t expect that you need for the rest of the story that represents the direction you do prefer.

Audience Member: That seems to be happening—that’s what’s been happening to me the last couple months.

Bashar: Look at it as a detective story.

Audience Member: That’s what it seems like—I keep getting little bits more information, like what is this? You know, like even though it may not necessarily represent the path ultimately that you prefer, you’re still going to find a clue at the end of that path, and it’s going to help you down the road later on if you use it that way. If you just think it’s a waste of time, if you just label it in your story as a waste of time, you will come up empty.

Audience Member: Yeah, my heart knows it’s not a waste of time.

Bashar: It’s then why don’t you listen to your heart in your story?

Audience Member: I think, like I said, it’s—at least I’ve allowed it to be this negative belief of wasting time.

Bashar: But you’re not doing that now. Yes. You’re not going to do that from this point forward? Yes, I don’t wish to. Well then you’re not going to. Yes. Or if you do, it’s going to be all right that you did, and you can go, “Oh well, I did that again—so what?” And move on. Yes. Isn’t that the kind of story you would prefer to have? Yes or no? It’s up to you, you can say no.

Very much making a positive experience out of it—well, because you can make a positive experience out of everything, yes. That’s because that’s what I would prefer. Well then do that. Yes. Is that the story you would rather tell yourself? Yeah. Then that’s the story you will tell yourself. Yes.

Audience Member: I mean, there’s some hesitation, but what—that’s what I prefer.

Bashar: All right, so you can say, “I will tell myself this story even though sometimes I may hesitate—that is the story I will tell myself, even with the hesitation.” And the hesitation will only help me tell that story even more strongly, because I know that the hesitation is part of my story and not an interruption in my story. I’ll use the hesitation as part of my challenge, as part of my story. Isn’t that exciting?

Yes.

All right, does that help you?

Audience Member: That does. Um, yes. What other stories have you got?

Audience Member: I, I guess with this specific—

Bashar: You guess? You guess? You guess? No more guessing.

Audience Member: Uh, with this specific, I know with this task and these beliefs that are that I’m holding on to out of fear—um, it just seemed, I know, it almost like there’s “too good to be true” element to it.

Bashar: Too good to be true. Too amazing. Too fantastic to be true.

Audience Member: Well, that’s a story. Do you want to live that story—that something is too good to be true?

Audience Member: Yeah, you do want to live that story? I mean, I mean this—that something is too good to be true? No, not too good to be true, but that the story I wish to tell, yes.

Bashar: Regard—ever had anything in your story happen to you that you felt was very, very, very good?

Audience Member: Yes, more and more so lately.

Bashar: Well, if it happened once, why should it not be capable of happening again and again and again? If it happened once, why wasn’t that too good to be true? Why didn’t you tell yourself the negative story then? Why did you allow such a good thing to be happening in your story if you didn’t believe that good things can happen?

Audience Member: That’s a good question. Thank you.

Bashar: Is that question too good to be true? No.

So you see, it’s all about understanding story structure so that you understand how to ask yourself questions about your own story. You understand—just like we did—you recognize that your own story does contain things that you did not believe were too good to be true, so you allow them to be experienced. But if you did it, then what’s the difference between that and any other thing?

Maybe it would be more helpful for you, instead of talking about whether something is too good to be true or not, to simply allow your story to understand what is most relevant to your story, because there may be things that are not relevant to your story experience, but you don’t have to label them as being too good or not good enough.

Audience Member: I remember you mentioned that to somebody at the San Francisco event, and then I was pondering this—like, well, it seems really, really relevant.

Bashar: If it’s true, then—the idea that you can begin to understand in redefining these things is that if something seems really, really relevant, that’s another way of saying that it is true, or it wouldn’t feel relevant.

Do you understand? Relevance is truth. Relevance is the vibration that is aligned with your truth—that’s why it feels relevant. Otherwise it wouldn’t feel relevant. It wouldn’t be your truth. But if it feels relevant, that’s synonymous with it aligns with your truth, or it wouldn’t feel relevant.

So if it feels really, really, really relevant, then it’s really, really, really reflective of the true you. For you, it may not be true for someone else, but if it feels relevant for you, it’s true for you—it’s a synonymous definition. If you allow it to be, instead of separating it and saying, “Well, it feels really relevant, but is it true for me?"—you’re contradicting the idea, the very definition of relevance.

You understand? I like that. Does that make sense? Yes.

That’s why again it’s so important to be clear about your definitions and be aware of what definitions you’re already giving something. Pick it apart, examine it in your story, find out how you are labeling things, because when you understand the labels you’re giving to things, you’ll understand why you may be confused about things—because you’re applying confusing labels that don’t allow you to extract what you need from every situation.

As you have just given us this perfect example in your story by supplying a different label to relevance other than the label that it represents—the true you—you’ve created a separation, you’ve created a confusion. But by consolidating and integrating it back together and going, “Wait a minute, how can it possibly be relevant to me? How can it possibly feel relevant if it isn’t true?"—by understanding the underlying nature of existence, which is the same thing as underlying story structure, you’ll be able to see right through these illusions that you create and understand the labels that you’re applying to things and thus change them when you see that they don’t work for you.

Does this help very much? You have a different story now then? Yes. Thank you.

Audience Member: Oh, um, real quick—I just, I didn’t know if you’ve happened to had a chat with what I call Dave, by any chance lately?

Bashar: Define Dave.

Audience Member: Uh, at least the consciousness I seem to be a guide—um, I don’t know, he just described himself as a consciousness that I’ve been verbally channeling, just mostly for myself, and I don’t know if you’ve had any chats with him lately.

Bashar: I’m having one right now, aren’t I? One right now. Okay, good enough. Because Dave is an aspect of your own consciousness. Yes, you understand.

So is there something Dave wants to tell you?

Audience Member: Yeah, I’m not—I don’t—what does Dave want to tell you?

Bashar: Go follow my—you brought up since you brought up Dave, what does Dave want to tell you?

Audience Member: What’s the story Dave is telling you?

Audience Member: Um, the one he’s been telling me, which is all this stuff he’s been telling me to actually act on it.

Bashar: So why aren’t you listening to Dave?

Audience Member: Good point.

Bashar: And the answer is—

Audience Member: Why haven’t you been listening to Dave? Dave.

Audience Member: And the answer is—oh, mainly because I—

Bashar: You don’t trust Dave, do you?

Audience Member: Not totally, no.

Bashar: Why not? You think Dave is out to deceive you?

Audience Member: No, he’s been very loving, very helpful, bringing me amazing information.

Bashar: And then why don’t you trust what Dave is saying?

Audience Member: I think because, what like I said earlier, it might be too good to be true, or that I’d be wasting my time if I actually followed it.

Bashar: So if things were too good to be true, why would you even consider the idea or construct the idea of talking to someone named Dave?

Audience Member: I didn’t even try to do it—it just—

Bashar: But you accepted it. Yeah. Why wasn’t that too good to be true?

Audience Member: It’s been fun.

Bashar: Oh, fun! It has been fun. So you’ll allow it to be true if it’s fun? Yes.

Audience Member: No—what will you allow things to be true if they’re fun? Yes or no? Yes.

Bashar: Well then, have fun all right.

[Laughter]

Audience Member: Right, thank you. Cool, thank you. Appreciate it. Bye.

[Applause]

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Third Question: Science, Sustenance, and Tapping Energy

Audience Member: Hello, Bashar, and one of you good day. Um, what’s your story, sweetheart?

Audience Member: My story is that I’m very much bound to my fellow beings, and bound to your fellow beings, yes. Very much so.

Bashar: And so what does that mean in your definition, in your story?

Audience Member: Well, I choose to exist in the um, Earth that the collective consciousness exists in.

Bashar: Well, to some degree, yes. Obviously, or we wouldn’t be having this conversation in this way.

Audience Member: And so, and I’m very much interested in bringing information mostly through science. All right. Um, I also have certain knowings, yes. And I was wondering if you would be able to help me tell my story by getting a little information on what—and what I would like to know is—

Bashar: One moment. Do you understand story structure at all?

Audience Member: I would like to say yes.

Bashar: What archetype at this moment in your question to me, thus then, do I represent to you?

Audience Member: I have no idea.

Bashar: I’ll give you a hint. Okay. A mentor. Right. All right, more than a hint though—wasn’t it? Gave it all away. Gave the whole story away. All right. Well, all right, not all of it. Ooh, some mystery still exists, because a good story needs a little mystery, doesn’t it? Yes.

So do continue.

Audience Member: Okay. Um, what is it that you wish some assistance with, now that you have sought out and questioned the mentor archetype?

Audience Member: Okay, um, I know that we don’t need to eat—

Bashar: Well, yes you do. Do food? Yes, you do. Okay. Most of you do. Okay.

Audience Member: Well, I have this knowing that it may be possible, that it may be probable, that some of you may change yourselves so as to not require that kind of sustenance.

Bashar: Yes, that’s possible. How probable it is depends upon the path you have chosen to explore. Sometimes those kinds of things, even though they may seem to be desirable, simply aren’t relevant for the theme that you chose to explore in this life. You have to determine that for yourself by the synchronicity that shows up in your life.

Audience Member: Right. Well, for me it’s prevalent, and one of the things that is the information I’d like to know is how I’m able to tap into the energy source to sustain myself—not at this point, but more so as you know, I grow.

Bashar: Well, number one, living in the moment, because all the energy you will ever tap exists only in the now. So the less fragmented you are in that context, the more you focus yourself in the present, the more you’ll be capable of tapping that energy, because you’ll be existing on a higher level frequency. And when you allow yourself to vibrate on a higher level frequency, you become a more receptive antenna to higher level frequencies of energies on different planes of existence that can then sustain you, and you will automatically not feel so much need for other forms of sustenance.

Okay. So the more you live in the moment, the less in a sense you experience the idea of time and space in that way, the more you will tap into higher frequency energies that will provide enough sustenance for you.

Okay. Does that help?

Audience Member: Yes. Anything else?

Audience Member: Um, no, I think that’s it.

Bashar: Well, all right. Thank you so much. Thank you for sharing your story.

[Applause]

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Fourth Question: The Vortex and Process

Audience Member: Good day Bashar, and you good day. What is your story?

Audience Member: Well, um, I had a lot to write before I came, and my story is—my journey to be in this workshop—my story has been answered, my questions have been answered. Oh, all right. By you and by a lot of people in this room, by you too, and by me too.

Bashar: Because remember, what are you experiencing when you experience us?

Audience Member: Myself. Thank you.

Bashar: We are simply reflecting your higher mind back to you, using our personality as a mask to trick you into talking to your own higher mind.

Audience Member: Yes, and me, my higher mind and myself, had that discussion before we came. Yes. And um, it’s just been awesome to dive into just myself and follow my excitement and being led by the synchronicities, yes, and the parachutes that have taken me to where I am now.

Bashar: That automatically popped open when you took the leap of faith. When I took the leap of faith, yes. Of course, which is not exactly faith, but true knowingness and understanding that the parachute does exist. Exactly. And that way, I don’t fear the unknown because I know my parachute will always be there.

Bashar: And what will you discover in the unknown? More of myself. Exactly. You see, you’re remembering many things at the same time.

Audience Member: Exactly. The parachute has landed me in Lancaster. Oh, all right. And um, I was listening to one of your CDs and you talked about the vortex and Lancaster, yes. And I would like to give for you more information about what that is.

Bashar: Why would you want to get it from me when you can simply be in the vortex and get your own information? Why would you need a secondhand experience instead of a firsthand one?

Audience Member: I guess I don’t—I didn’t know if it was any central location or was it all over, or is it where I—

Bashar: There are nodal points within the overall vortex that resonate at different frequencies. If you simply follow your own instincts, you’ll find yourself guided to the nodal point that resonates at your frequency, and that will be the correct spot for you.

Audience Member: Well, okay, that makes sense. Yes. I know. Where I live is one of them. Is one of them? Well, there you go. Okay. What a coincidence that you should choose to live there. It was exactly—it was, but not an accident. Yes, not at all. My higher self was already there—I just raised my vibration to get there.

Bashar: So you had even already answered this question. I sure did.

Audience Member: Yes. Um, just checking your story facts.

Bashar: Oh, are you confirmation? When I come talk to you, it’s all about confirmation. All right. Um, you are confirmed. Thank you. A confirmed storyteller. I am. All right.

Um, from yesterday—the I got from yesterday—that the process is really a permission slip of manifestation, just like the process is its own event, and all experiences and events are permission slips. Yes.

So once we no longer—once we are in the process of like building a house and we have built the house, gone through that process, then we no longer need that process if we choose to let it go, and that’s how the house appears. Yes. Okay. Because you know the house is already built.

The idea of choosing to build a house is simply your choice to experience the event called building a house. But whether you choose that or not, the event of the house already exists. Exactly. And whatever methodology your belief system believes it needs to get you to change into the vibration where you align with the event—with the reality where the house already exists—is fine.

Some of you, simply because of your idea of belonging to a consensus reality, have belief systems that make you believe that you need to go through the event experience the event called building the house before you will allow yourself to change into the frequency where the house already exists. But you don’t have to do that.

No. So once you have the process, you can let that go. Once you understand what it’s for, once you allow that experience of what you call the process of that event to help you change your belief systems in certain ways, then yes, you can let the need for experiencing that event go. Okay.

To whatever degree—thus process event still remains—may the degree to which you wish to hold on to it for a variety of other reasons that actually do serve you and other people. But yes, it is potentially possible to not experience that particular event called process at all. But some of you want to because you learn things from it. But you can reduce it. Yes. Or you can reduce it in some instances, like you can eliminate it in some instances, you can reduce it in some instances, you can keep it in some instances—you just have to determine what it is you actually are getting out of having that event experience. But just don’t see it as a means to an end—see it as its own event experience.

Building the house has nothing to do with the experience of having the house. There are two separate realities. But sometimes you may need to experience the event called building the house in order to allow your belief systems to change your vibration into the event called having the house. But no, you don’t need to do that empirically—it’s not mechanically required necessarily. It just depends upon the theme you’ve chosen to explore that determines how much of that event you need to experience.

Audience Member: So it’s like if you can’t drive and you learn how to drive, once you know how to drive, you just don’t think about the process of everything that goes into it, you just drive.

Bashar: In fact, your automobile is a very good analogy for the idea of the story structure issue and belief system issue, because you know that in your automobiles you have the idea of shifting—whether it is manual or automatic doesn’t matter at the moment—and you have the idea of your accelerator and you have the idea of your brake.

Well, anytime you align with the idea belief systems that are in alignment with your truth, you’re pressing on the accelerator. Anytime you are believing in things that are out of alignment, you’re pressing on the brake. The idea is that you’re always shifting gears, going from one reality to another. You used to do this manually—you used to have to really think about it. But when you invented the idea of automatic transmissions, that was an archetypal symbol that you were allowing the idea of shifting to become more automatic in your consciousness. So now it’s just a matter of choosing whether to step on the accelerator or step on the brake as befits the kind of belief systems you’re buying into, because you are your vehicle.

Or press cruise control. Cruise control! I like cruise control. Right, yes. That is now a choice that is available to you, because once your technology invents something, it’s because your consciousness has already understood that concept, and thus you now have a reflective symbol—an archetypal symbol—in your physical reality to represent the new concept in your consciousness.

So if cruise control is that which allows you to truly allow yourself to know you’re functioning on automatic and you’ll arrive at the right place at the right time and you don’t even have to worry about stepping on the gas or stepping on the brake—that the car will move ahead, that your vehicle, you, will move ahead in perfect timing on cruise control—then you have allowed yourself to use that archetype in a very beautiful analogous way.

Thank you. Thank you. Thank you.

Audience Member: Now the storytelling—it’s synonymous to me. The thing that I like about the Bible is the fact of the stories, and I was never drawn into—well I was, but as I was growing out of the limitations of it, the stories is what carried me, because I knew that I also had a story, and those stories were just to lead me and to understand that I had a story.

Bashar: Yes, because you’re going to hear a story and you’re going to interpret the story according to your own story beliefs. Exactly. And that’s why people can hear the same story and have many different interpretations. Just pick the one that works best for you. Many of the stories in that sense thus are holographic in nature. That’s also the beauty of story structure—the template is holographic in nature. So what archetypal elements you choose to add in the story can be interpreted by anyone according to their story.

Yes, yes, yes. So and so, you being a storyteller for the um—well, that’s the planet—the people are Sani, for the Sani people. So the stories that you’re getting from us, you’re translating to them. So it’s like we’re living Bibles, kind of thing. Stories, yes. You are. That’s awesome. Yes, it is. That’s awesome. Yes, it is. Want to say it again? That’s awesome. Yes, it is.

[Applause]

Awesome. So are you—but one moment, okay. Rather than being just awesome, which is having some awe, you would want to be full of awes, which makes you awful—to a lot of people. I am awful, but that’s because I carry the truth. There you go. Yeah, full of all. Full of all.

All right, well thank you, Bashar. Thank you.

Now please remember, when you say the truth—all truths are true. That’s what the truth is. All truths are true. Your truth is true for you. Other people’s truths are true for them. And together, all truths make up the truth. And that’s the truth.

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Fifth Question: Emotional Stories and Healing

Audience Member: Hello Bashar, and you good day. What is your story?

Audience Member: My name’s Kelly. I’m 22. Oh, all right. That’s part of your story. Yes. All right. This is a story about Kelly, 22. And what is Kelly’s story?

Audience Member: And it’s a very emotional story.

Bashar: What is it emotional about?

Audience Member: Take your time. What are you feeling? What was that? What are you feeling?

Audience Member: It’s overwhelming. It’s really exciting.

Bashar: Are you feeling love within yourself?

Audience Member: Yes. All right. And I’m starting to realize that you deserve it. Yes. Oh, all right. That’s a nice story.

Audience Member: For a long time, I felt empty and sad.

Bashar: Yes, you told yourself a very empty story for a long time. But now you are telling a very fulfilling story. Yes. And—

Audience Member: Um, yes. Part of it is as I’m growing and I’m starting to learn a lot. Yes.

Bashar: Which is what growing is all about. Yes, yes.

Audience Member: Um, a lot of it is memories that I’m—not trying, that I’m remembering. Yes. And I just—that has to do with what, with myself as a young girl. Yes, because I feel a lot of this—a lot of things I blocked out and I started to forget who I was.

Bashar: All right, because it was painful to think about it. All right. But now you understand that you can invent yourself at every moment as a new person. Yes, yes. And as you do so, the things that you’re calling past memories actually have no longer any relevance for you, because you’re not that person anymore. Literally, they literally have nothing to do with you anymore if you choose to define yourself that way.

Do you understand this concept? Yes. But sure. All right.

Audience Member: And um, every day I—I spend time by myself remembering myself as a child now that I’m accepting and trying to get rid of those blocks.

Bashar: It’s not about trying to get rid of the blocks—it’s about investigating the belief systems that you’ve bought into and identifying those beliefs so that you can recognize that the beliefs that are out of alignment with your truth don’t belong to you and you can let them go. You may have simply been given them by parents, by friends, by society. But once you identify them as someone else’s beliefs, you will understand they don’t belong to you and you can let them go, because you don’t want to carry what doesn’t belong to you.

You understand? Yes. So let them go if they don’t belong to you, because once you understand they don’t belong to you, they have no more effect on you, because effect is only what you choose to be affected by. And if you have beliefs that are unconscious, you feel the effect because you’re not aware of what the belief is. But once you know what the belief is, once you identify it, it no longer has an effect, because you can recognize you no longer prefer it to have an effect—you’re no longer choosing it to have an effect—and so it no longer does.

Identification of the beliefs is key.

Thank you.

Audience Member: And one more is—as I’m remembering these memories of myself as a kid, a lot of them they are exciting and I feel really happy when I think about it. But then in the end, I feel at the end of that realization, I feel sad because it’s gone.

Bashar: And because it’s—what? You feel sad because it’s—what? It’s not gone. I know. It will never go away.

Remember that growth is the process of inclusion, not exclusion. You will always be aware of that as a possible experience, but you can understand you don’t have to choose to buy into that experience as having anything to do with the you you’re defining yourself to be now.

Do you understand the difference? Yes.

If you truly are a different person—if you truly define yourself as a new person—then linearly speaking from a space-time perspective, if you truly have defined yourself as a new person, then wouldn’t you, as a new person, have a different past than the person that was there a moment ago?

Could you repeat that one more time?

Yes, I can. And for the first time, if you truly understand that you’re defining yourself as a new person and understand clearly that when you do redefine yourself as a new person, that this is not just a metaphorical idea—you literally, literally, literally are a new person—then linearly speaking from your space-time perspective, every different person has a different history.

So if you really are defining yourself as a different person than you used to be, then you have a different past. You have a different childhood. Define the childhood that belongs to the person you’re defining yourself to be now, as a young adult. You can define the childhood now. You create the past from the present, not the other way around. The past does not define the present unless you choose to create that illusion—but you’re creating that illusion from the present, because you only exist in the present. So any so-called past that you’re remembering, you’re actually creating the relationship to that idea now from the person you’re defining yourself to be.

So if you define yourself differently, you can actually know you’ve created a different past, a different relationship. So define the child you’d prefer to be. Or, in your language, define the childhood you would prefer to have had—that is relevant for the person you’re defining yourself to be now—and recognize that the so-called memories of the childhood you don’t prefer belong to another woman. They don’t belong to you. It’s her childhood, not yours. Not yours. Literally not yours.

It’s not about ignoring it, it’s not about covering it up—it’s about acknowledging it as the stepping stone that you were able to use to define who it is you prefer to be. And in so doing, the childhood she had helped you become the person you are that has a different childhood. That’s the paradox.

Is this making sense? Yes.

So you, whoever you are now, never had that childhood, even though you can still be aware of those so-called memories. But those so-called experiences belong to her, not you. She’s in another reality now. You’re not her any longer. Literally, literally, literally. I don’t care what you think you still look like in the mirror—that’s just an illusion of continuity. You’re actually a different person literally, because person is an artificial construct. Personality is just composed of beliefs and emotions and thoughts and behaviors—it’s a mask that the consciousness wears to have a physical experience. It’s just part of the ego structure mask—personality.

When you change anything about your beliefs or your feelings or your behaviors or your thoughts, you actually change the person literally that you are, even though think you look the same—you’re actually not the same person. You just look similar to her—that’s all. Similar, because you’re creating the sense of similarity. But in fact, as many people on your planet have already experienced, when you change yourself enough, when you know you’ve changed yourself enough, you can actually look so different—because you really are a different person—that some of your quote-unquote friends may actually not recognize you. “Who are you? Oh, I didn’t recognize you. Why do you look so different?” “Because I am. I am a different person now.”

You have maintained a connection with those people in a manner—you’ve co-created a reality together with those friends, so that you’re interacting with a version in your reality of those friends that contains the ability to recognize the difference. Were you to simply not need that experience, then you would simply be capable of changing enough—I’m just talking about a possibility here—you would be capable of changing your appearance to match the differences within you enough so that any of the people that the old person used to call friends would actually literally not recognize you when you walk by and wouldn’t even say you look different—they just wouldn’t know who you were.

But you don’t necessarily want to create that much detachment, so you maintain the idea of the version of them that will recognize the difference, but will also show you that you really have changed. You can use the friends as a reflective mirror in that way to prove to yourself you really are a different person by having them reflect to you that they almost didn’t recognize you.

Yes, you understand? Yes. But you really are a different person literally. Take me literally—this is not a metaphor. Yes, it’s not an analogy. Everything you change, every time you change, changes everything. Literally, you are an entirely different parallel reality as an entirely different person if that’s how you choose to define yourself to be. And you can know that whoever was here a moment ago—whoever she was—wish her well, bless her, give her unconditional love. But those memories of childhood are hers—they’re not yours.

Does that help you? Yes.

Audience Member: And um, one more thing. Yes. Part of my story in my dream state—yes—I have a reoccurring dream. Yes. How exciting. And do share. Yes.

Bashar: Do you need a hug? I’m at the—I’m at the ocean.

Audience Member: And do you need a hug? Yes. No, I don’t. Somebody give her a hug.

[Music]

There is nothing to apologize for. This is the process of discovering your beliefs. You see, you have been bold enough, bold enough, and strong enough to choose an event and experience called experiencing a lot of emotionality, so that I may recognize through these emotions what I believe to be true. Very bold, very strong, very exciting story. I’m on the edge of my seat. And so is the channel’s body.

Okay. Thank you. And so this reoccurring story is—what I’m at the beach, and I get this tidal wave, yes, and it’s coming. Yes. Yes. I usually—it varies. Sometimes I feel really scared and I paralyze, but then the wave lands on me, yes, and um, I just float with it—like I feel like I’m going to get hurt or something—and I just go along into the wave.

Bashar: And what happened then? And then I wake up. And then what happened? Don’t you hear that a lot in stories? “And then what happened?” Yes.

How exciting! And you understand the symbology archetypally for yourself?

Audience Member: That’s what I’m trying to understand.

Bashar: Because matter represents emotion. You said you’re overwhelmed by your emotional feelings—the tidal wave. But if you go with the flow, you’re all right. Your emotions can’t smash you if you go with the flow. You won’t be overwhelmed if you go with the flow—you’ll be fine. Thank you. That’s the story of the tidal wave.

Does that help you? Yes.

Then pleasant dreams to you in your new story. Thank you.

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Sixth Question: Mastery and Suffering

Audience Member: My, my, what a loud story. Hey, Bashar, and are you good day? What is your story?

Audience Member: First, I have a story of gratitude to you and your family.

Bashar: Our story of gratitude to you as well. Thank you. Thank you.

Audience Member: Um, in my story, I know I’ve chosen the theme of soul awakening.

Bashar: Well, that’s true of many of you, actually.

Audience Member: Yeah, well, but your version of it is your story. Yes. All right. Congratulations. Other versions are here. Yes. Congratulations on such an exciting story choice—soul awakening. Um, how does it go? How does this story go for you?

Audience Member: Well, I’m still expressing gratitude—it’s still a story of gratitude. Oh, all right. Thank you. To finding within myself—cuz I know you are within myself—yes, a great mentor and a true friend, as you are to us.

Bashar: Remember, you’re mentors to us as well.

Audience Member: Yes. And so I’ve also attracted myself in this story—yes—to information about whom we on this Earth call Masters. Yes. Um, not masters of limitation—well, yeah, would they be masters of limitation? Cuz they mastered themselves and limitation. All right. Yes.

Um, they talk about Neptune—

Bashar: And are you referring to the idea of the planet in your system or the archetypal god form?

Audience Member: Well, I’m not exactly sure, but they say Neptune.

Bashar: Taking this on as much as I understand it—yes. Um, they talk about a civilization who composes the root race to humanity and whose teachings they now live by. All right. But you understand there are no other indigenous physical life forms such as your civilization physically on any planets in your system. They are talking about the idea of the connection of non-physical consciousness beings to different archetypal planets in your system. Right. Because the resonant vibration of those beings simply matches the resonant vibration of those planets as you have laid your system out archetypally. Right. All right. So so they identify with them in that way. Right. All right. And so and their teachings. All right. And so how does that archetypal story serve you? Why have you attracted yourself to this?

Audience Member: Because I want to live that story, which is in a nutshell—in twenty-five words or less—pitch it to us.

Audience Member: The story of mastery over self—mastery over limitation—to become a being who also projects and represents the world’s spirit.

Bashar: It is not mastery over self—it is mastery of self. Oh, right, right, right. Because it includes. Right, yes, yes. And you don’t lose yourself—you will always be what you consider to be you, no matter how high you go. No, no, no—I had no intention to convey the thought that I would lose myself, because I must retain my essence.

Bashar: We are just more clearly delineating the definition that goes with the idea called “mastery over self.” Yeah, that implies within the definition that you lose the self. That’s why “mastery of self” is more of an appropriate way to define it, because then it’s all inclusive and you don’t lose the self-identity—this and that. Yes. This and that, not this or that. This and that. Okay.

Audience Member: Um, as far as the identifying with those teachings—yes. And I know I can use my own synchronicity to attract them, but—

Bashar: Well, you always do.

Audience Member: Yes. And so could you throw me a—

Bashar: A thigh bone, an arm bone—what kind of a bone? A bone of information about what about these teachings? But you haven’t shared your story about it yet. How does it resonate for you, so that we can throw you the bone that resonates to your particular interpretation of the story? Put it out there and you’ll get something back.

Audience Member: Well, I’m living my story—pitch us the story that attracts you. Why are you attracted to this particular resonance story?

Audience Member: Because it represents—yes—my ultimate beauty as a being experiencing physical reality.

Bashar: But what are the specifics of this story that do that for you? What are you specifically resonating to in terms of the structure of this story? What are the elements in the story?

Audience Member: To become a being that expresses compassion and is removed from suffering.

Bashar: Removed—you mean you’re not choosing to suffer? Right. All right. Well then don’t choose to suffer.

Anyway, do you want the story to be more complicated than that? No. All right. Well, I’ve just thrown you a bone: don’t choose to suffer. Don’t choose to identify any experience you have as suffering, and you won’t experience it that way. Can it be that simple? Of course.

Does that help you? Yes.

Does that answer your question?

Audience Member: Well, I wanted to know if there are any physicalized—physicalized—information about these teachings that they have represented in the story.

Bashar: Are you looking for a permission slip? Yeah, a physical permission slip. Well, hasn’t your imagination come up with something that’s a physicalized representation of these teachings?

Audience Member: Not that I have currently.

Bashar: Well, why don’t you use your imagination to do so? If that’s what you want—maybe you don’t need one. Are you talking about the idea of creating them? If you want to create a physicalized version or a physicalized representation of this particular permission slip of energy, you have the imagination to do so. If you haven’t invented what you’re asking for, maybe you don’t really believe you need it.

Audience Member: Well, I imagine them to be in some sacred temple in the Far East—oh, all right—written on manuscripts. All right.

Bashar: Then why not join them and write your own manuscript, and that will be your permission slip? Yes, of course. Well, that was easy. Yes, it’s always easy. Yes. There you go. So write your story out in manuscript form if that’s what it takes to represent that energy for you. If that’s what it takes to resonate within your story, join them in what you imagine they’re doing archetypally and become one of them and do what they do.

Remember that by mirroring what you imagine is representative of that reality, you will then be expressing through physical action the vibrations of that reality. You will be a being in that reality, and thus then the things that are germane to that reality—

Audience Member: Can you define that a little? Germane? I don’t really understand that.

Bashar: Relevant. All right. But there was another connotation that you may discover later. Yeah. Because I noticed you broke it down in a very—yes, I did—particular way. But that’s going to be one of those funny little clues in your story that you’re going to have to become a detective to discover. A detection story—I love that. All right.

So go to your temple, write your manuscript, become a detective. You will see. Yes. And I am doing my best to—I know. All right. That’s all you need to do. Thank you. Thank you, teacher. We love you. Our unconditional love to you as well.

[Applause]

---

Seventh Question: Extraterrestrial Stories and Movies

Audience Member: Hi, Bashar, and you good day. Good day to you and the Sani. I’ve been looking forward to speaking with you in this moment. All right. And through what story will you be doing so?

Audience Member: Well, it’s going to start with a Father’s Day story. Father’s Day story. Father? Yes, because it is Father’s Day on Earth, guys. We understand.

Bashar: I was wondering—do you guys have those days on? No, you don’t. Every day—every day is a celebration. Yes. Okay. Um, we do not delineate the idea of special days in that way specifically. In what way do you—we don’t—you just don’t. There are recognitions of certain things that happened in what you would call our history that are noted for their particular vibrational resonance, but we don’t surround them with the kinds of rituals that you do. We simply experience that vibration and move forward. Okay.

Audience Member: Well, I just wanted to express that since we’re talking about stories, I wanted to share with you how my dad would say that—he’d say, “All right, I’ll tell you a story,” cuz he likes pirate stuff. So he would say that, so I just wanted to share that with you. And my story actually starts a bit with my dad. Yes.

We were just saw the movie Thor—oh—and it was—I didn’t really want to see it at first, but he’s like, “No, you really will love seeing this movie, you got to see it.” And did you? I did. And I was exhilarated.

And you know, if you—because I saw these different beings in the galaxy, other races, and I felt such a connection to them, and I wish I was there with them acting out—

Bashar: Does that mean you’re also going to go see the latest movie entertainment that also deals with other beings in the galaxy?

Audience Member: Um, there’s one that I do plan to go see—it’s the—is it the color green? Green Lantern. Yes.

And I did have a question about that. There’s been talk that um, you know, do—as open contact becomes well more open—that um, society will start showing more of what other races look like. Is that right?

Bashar: What—not right, but do you mean will your depictions in your science fiction stories become more accurately representative of some of the races that exist? Yes. Yes, okay. And does that movie reflect that? Some—some. Okay. Now again, remember, anything you can imagine is real because you cannot imagine non-existence. But when I say some, I mean some that are relevant to anything that you could experience as being somewhat similar to your understanding of reality. All of them are real in their own context, but may not be relevant to your dimension of experience. But some actually are. Okay.

Thank you.

So when I was watching the movie Thor, I felt like I wanted to be there and I was kind of meditating on that later on after the movie. And my inner guidance told me—okay, because I was asking well why am I not there if I like it so much? You are. You are not—but you are. Right. And I received that.

Bashar: Well, that is part of you. That is you. That’s why you resonate to it. Right. And you’re on Earth to bring that here. Yes, as an incarnation. Yes. You’re the conduit, you’re the valve through which you can bring that energy down to Earth and give off a vibration that will allow choices to be made that are in alignment with that frequency.

Yes. I was very happy. That’s why you have these kinds of stories. That’s why one of the most powerful storytelling tools you have is movies, because it really gives you an interactive experience. And what you call theme parks—it gives you an interactive experience of story, and thus it sinks in because you’re actually viscerally there in the vibration and together unified in many ways.

Audience Member: I feel that a lot.

Bashar: Yes. And the next part of—now we wish to also point out a very interesting polarity happening at this time with respect to these kinds of stories that involve what you call extraterrestrial beings. Because in this moment right now, you actually have presented at the same time a completely polarized idea of this notion in your entertainment.

You have the idea we have just discussed of a story that involves the idea of what you would call an interstellar peacekeeping core of extraterrestrials. And at the same time, you are also premiering the Transformers movie and also another one called Falling Skies, where your world is dominated by extraterrestrials on your television set. So you have presented the polarity for yourself so that you can explore and play with the idea of both sides simultaneously. You’re bringing these creations closer and closer and closer to the center point, so that you can really experience the balance of the dark and the light, the balance of the negative and the positive, and really decide what you prefer by exploring these stories so close to each other, on top of each other.

Audience Member: Even good timing. Yeah.

Bashar: Thank you for expanding on that.

Audience Member: Um, I remember the first time I heard you speak of the Essassani—the Shalona—yes. And all the senses in my being just perked up. All right. And I got goosebumps.

Bashar: They are part of your story. You are part of their story. Are they? They are. And I have—they are one of the other hybrid races, the first one that will contact your world. For those asking the question in their minds, what’s the Shalona?

And I got goosebumps and I never get goosebumps—I that I remember, except for when I’m cold. And so I thought, I’ve always heard people talk about getting goosebumps, but I’ve never got them. And then so when I got them, I was like, “Well now I can’t say that anymore.” I know, right? I can’t say that anymore. And I was like, “Wow, that is true.” And as I listened to it, the goosebumps—they were like waves—they just continued to electrify me.

Bashar: Yes. And you understand fundamentally what that effect is—you call goosebumps. I don’t.

Bashar: The idea is that they will be constrictions around the hair follicles that will allow the hair follicles to rise up and become more receptive antennas to that energy. Oh, wow. That’s neat. Yes. Thank you for expanding on that.

Audience Member: And so as I continue to listen to that, I just closed my eyes and I got a sense as if I was there with them. Even now, like I feel like I can tap into them. And there’s been certain occurrences and instances—one of being all of the month of May—um, I saw these clouds over Mount Baldy that’s close to where I live that I’ve never seen like that ever before. They look like the ones on Mount Shasta, you know? And they were over Mount Baldy, the range. And the whole month of May I haven’t seen them—June, but I just—I thought, “Wow, that is so amazing.” I felt like that was their presence showing themselves.

Bashar: Well, in a sense, it is more the idea of your collective consciousness creating symbolic representations of what you are becoming more and more aware of, and in a sense preparing yourselves for something more solid. You’re using your own weather, you’re using your own clouds to create shapes to represent what you will actually ultimately see in physical form. Okay. You’re preparing yourselves for contact with those forms. They’re like placeholders.

And um, because you are changing your weather. Right.

Audience Member: Um, I was wondering if you could tell a bit of a story of maybe some of the things you know that the Shalona or the Essassani would like for us to know at this time, where we’re at on Earth, and how we can be more open to—

Bashar: And how water is very important. The more you allow yourself to allow crystallization, purification, higher resonance energies to in that sense interact with the structure of the water that you drink, the more you will aid and assist in the clarification of your bodily systems and the increasing of the silicon in your systems to make you more receptive to our frequencies, more receptive to our communications, so that you may receive those communications and the beginning of dialogues that will lay down the foundations and lay down the paths of our eventual contact. Water is key.

Thank you. That is the message from them. I heard them. Thank you.

Audience Member: Um, I was wondering if you could share some knowledge on the different visuals of some of the extraterrestrial races, such as the Pleiadians, the Arcturians, the Syrians, and the Agarthans. Do they look similar? Pleiadians in that sense are genetically connected to you—you are like long-lost cousins. So in that sense, they are very human form.

The idea of the physical race in the star system of Sirius is that which has been described as somewhat amphibious—in that sense, somewhat salamander is the idea. The non-physical consciousness connected to Sirius is, of course, non-physical.

The idea of Arcturus energy in that sense is also a non-physical consciousness that does not have form in the way you would understand it but is represented by the idea of the glowing orange orbs that many of you have seen. Oh, okay.

What you are referring to as Agarthan in that sense is actually known by another frequency altogether that is very ancient, and they do not share the idea of physical form as you know it.

There are other races that you will encounter eventually in time that are not like your species at all. We have from time to time described some of these. We will not really go into the list right now, but will at what you call a future time focus on the idea of a transmission that describes many of these races.

Okay. Thank you. Thank you for the sharing of your story. Thank you.

I have some more if that’s—it’s okay. Um, it’s your story has an epilogue. Yes, yes. Um, make it brief. Okay.

Audience Member: Um, I’ve heard you speak of the span between 2010 and 2015 and the sensing of energy at that moment, yes, and the splitting prism. And can you speak more on the splitting prism and where the energy on Earth is at this sensing of the energy?

Bashar: The trains are already leaving the station. The tracks are getting slightly farther and farther apart. Be on the train you wish to be on before you can never reach the other track. Right. That’s all we will say for now. Okay.

Take everything we have said in the transmission over the course of what you call these three days and apply it to decide and choose what story you will be, what track you will be on.

Thank you. I am all right. Thank you.

[Applause]

---

Eighth Question: A Strange Dream Visitor

Audience Member: Good day Bashar, and are you good day. Tell us a story.

Audience Member: Well, first I want to say that I’m very grateful to have this opportunity to speak with you again today.

Bashar: As are we.

Audience Member: Um, so I’m really excited about this story. Uh, it happened to me about three months ago. I had a dream—yes—um, and I was in a temple with these—they look like humans, but I think later I figured out that they weren’t. All right. And I had a really heart-opening experience, and through the heart-opening experience, I woke up and at the edge of my bed there was a being at the foot of my bed.

And he—describe—um, his head was down at first and he looked up at me, and his head was bigger on top, yes, his eyes were bigger but had pupils—they weren’t fully black—yes, yes—the nose was small and so was the mouth—it had like a slit, no lips—his skin appeared glowing green—all right.

Bashar: And uh, it seemed like—one moment. One moment. Okay. We are all laughing. All right. Go ahead.

What—somebody was using humor and playing a little bit of a trick on you. Okay. But go ahead.

Audience Member: Um, and he was wearing kind of like a red cape thing behind him.

Bashar: One moment. Okay. All right. Okay. We know who this is. They like to play games and present themselves in certain ways to sort of startle you, wake you up—uh, kind of like what you call archetypally trickster energy.

Audience Member: But he seemed really compassionate as well.

Bashar: Yes, oh yes. There is nothing negative about this—just playing with you, giving you a presentation, knowing that when you describe this being, people will laugh—they will think you’re seeing things.

Audience Member: Well, that’s why I don’t say this to many.

Bashar: You said it to a lot.

Audience Member: I know. But that’s all right because they know they’re all crazy too.

Bashar: So um, can you tell me a little bit more about who this particular being was, other than the trickster kind of archetype?

Bashar: Um, it is a being—a hybrid being—using the trickster archetype to communicate to your world and set up certain foundations for future communication with the hybrid children. But it is in a sense—well, I’m going to put it this way: you understand in what you call Native American societies that the concept of what you call the clown is a little bit different than it is in your culture. The clown is a teacher, a trickster—what in certain native tongues is called a contrary, a Hoka.

The clown as a contrary often does things that are very strange, dresses up very strangely, does things backwards, in reverse. It shakes people out of their normal conventional view. And that’s the idea that this being is doing. It is presenting itself as a type of contrary, type of clown, to lighten the mood, to shake things up, to give you something unexpected.

There are beings that do this—that specifically do this kind of contact in this way—to shake the foundations of your expectations within your consciousness, to actually open doors within your consciousness to be capable of then receiving other things that had the doors been closed, you would not have been able to perceive. But by giving you something so strange, so surreal, it actually allows you to open doors to receive other things you otherwise would not have been capable of perceiving.

Mhm. Yes, we know who that is.

Audience Member: He’s coming to me with a clown suit on, with a pig head on before.

Bashar: Well, there you go, you see.

Audience Member: So uh, I understand. Yes. I um, so is this someone—what was funny is cuz I used to be very scared when I woke up and I would see something, yes, and this time I wasn’t. Yes. So I guess maybe he was coming to me in this way so I wouldn’t be scared.

Bashar: Coming to you in that way as a representation that you are no longer scared. Okay. It’s a reflection of the fact that you’ve changed your story about your relationship to him and to other things.

Audience Member: Um, and how can I further this relationship and this communication with this being?

Bashar: One moment—we are laughing because we’re getting the suggestion directly from him.

Dress just like him.

[Music]

So that when you wake up in the same kind of cape, in the same kind of clown outfit, you can share a laugh as equals.

Okay. Okay. You asked. Well, that’s very funny and I like that a lot. All right. Up to you.

Um, great. And I have one more question. Yes.

Audience Member: Um, so it’s kind of going off the questions that the woman was asking before—um, is the representation of our consciousness coming out as the stories that there are many alien movies coming out right now? Yes. So is it our growing consciousness that is allowing this to happen?

Bashar: Yes. The things that happen in your culture are direct reflections of what you are exploring in your consciousness. And now that you have more and more willingness to recognize that you’re not alone—that there are other extraterrestrial races, or at least willing to accept that there could be—you’re beginning to explore within your consciousness all the ways that you can develop relationships on that level with other civilizations. So this is being reflected and has been reflected in your consciousness and in your culture now for quite some time.

Audience Member: And these movies are kind of awakening just all of us.

Bashar: They are reflections of the fact you are awakening. Oh, okay. They’re not awakening you, but they’re reinforcements of the awakening. If you hadn’t already awakened to that point, you wouldn’t be creating those movies. You understand? Yes. All right. Okay.

Thank you. Does that help you? Yes, it does very much. Though thank you.

[Applause]

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Ninth Question: Essassani Culture and Language

Audience Member: Good day Bashar, and to you good day. What is your story?

Audience Member: Um, it’s not so much about my story, but I want to ask about your story and the Essassani story a little bit more. All right. What do you wish to know about our story?

Audience Member: First of all, how do you say good day in your ancient language again?

Bashar: It is very similar to the idea—do you have a word on your planet in one of your languages, the word Aloha? Yes, yes. It means many things. So does “Hau.” It means thank you, it means I love you, it means a good day, it means many things. It is simply the greeting: “I see you.” You understand? Yes. All right. Thank you.

Audience Member: Anything else? Um, so your people—um, jeez, where do I start? Uh, okay. So if most stories start at the beginning—if I were to be on your planet right now, you said it’s very quiet. Right? Well, yes, in the sense that there are no conversations usually because we do not verbalize. Sure.

Audience Member: Um, would you be able to telepathically, tele-empathically communicate with humans back and forth who are on our world?

Bashar: Yes, if they acclimate to our frequency. Yes. Oh, I see. Um, if they don’t, we would probably have to vocalize. I see. Um, without a channel, that might be a language barrier—I would think.

Bashar: Huh. Well, many of us have learned many of your languages. Understand that our language is a hybrid language. Our ancient language was actually constructed out of many of the languages on your planet and other civilizations. So you would actually recognize a lot of it. Really. And we can simply adapt to understand because many of us, out of our own excitement, have learned many of your languages. Oh, that’s fascinating. Thank you for taking interest.

Bashar: Well, that is simply what we’re excited to do.

Audience Member: Um, and so you said that when your civilization was starting off, you were given a kind of a database of information from the Grays or the creators—um, and what kind of things that contained that gave you kind of a jump start?

Bashar: Well, a complete and basic understanding of the idea of our psychological makeup, so that we would understand the idea of what belief systems were all about, what emotions were all about, what our personalities were all about. We were still left to explore some ideas of this, but we understood from what you call the get-go that fear was a choice. I see. So we did not really experience what would call the concept really of conflict on our world—conflict simply being, if you wish, negotiation with teeth. Negotiation based on fear.

Audience Member: And what is the Essassani or Sani people’s relationship to the other hybrid races? Are you—do you communicate frequently?

Bashar: We do not necessarily frequently with all of them in terms of your time. Four of them are quite constant. One of them has chosen to be relatively isolated in its exploration of itself. I see.

Audience Member: The Shalona—who are supposedly the first to contact us—they are the ones who had the Phoenix light ship. Is that correct?

Bashar: Yes. Okay.

Audience Member: Um, I just want to send an invitation to them to come back.

Bashar: Invitations have already been sent. You need send no more. Okay. They will always answer the invitations in the timing that is appropriate.

Audience Member: And um, the other thing is—what a being known as Kaya, who I have asked about previously once—is of which hybrid race?

Bashar: Partly Shalona, partly the third hybrid race.

Audience Member: Does that third hybrid race have a name that is able to be disclosed or—

Bashar: No. That story is for another time. Okay.

Audience Member: May I just extend to that being—um, thank you for being willing to undergo the type of interaction that he did with the people of our planet, and uh, you know, we must seem a little bit primitive.

Bashar: And uh—you are masters. You understand the idea is that it takes a master to choose a reality of such great polarity. We understand what you mean by primitive, but that’s just an expression. The idea is that once you realize your mastery, you will not see yourselves as primitives either. I see.

Audience Member: Just wanted to relay that message—that it does not go unappreciated, all what has been done. So that is understood and reciprocated, and gratitude is given. Okay. That is all. Thank you very much. Thank you.

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Part Eight: The Holotropic Experience - A Story of Hybridization

Bashar: At this timing, the story must move to another chapter. Take a short break. We will resume this story transmission with the idea of the experience of your holotropic hope.

[Music] [Applause]

I’ll say we’ll continue the story in the following way:

You may begin with your lights and your music.

All of you relax. Take a deep breath in and let it out. And allow yourselves during this experience, during this story, to keep your eyes focused on the eye at the center of the screen.

[Music]

And just relax all your expectations. Just know that the patterns that you will experience while you are listening to the story will wash over you and through you and realign you, rewire you, and all the neurology, cellular and atomic structure of your being to become more and more open, more and more receptive to the vibrations and information that you require to be more and more of who you are.

Take another deep breath in and let it out, and let go of all the cares and thoughts and worries. Just be in this moment right here, right now—who you wish to be, who you prefer to be, who you know you are in your heart, mind, body, and soul. Just be.

Take another deep breath in and hold it, and hold it, and hold it, and blow it out. And as you exhale, you are allowing that vibration to permeate the very air, the very atmosphere of your being, your environment, so that you swim in a sea of that frequency.

And just let it sink into you as you sink into it, floating down, down, deeper and deeper into the deep blue sea of your consciousness, floating peacefully, perfect harmony, perfect peace, comfortable, easy, relaxed.

And as you allow yourself to continue to let the patterns flow in through your eyes, then through your ears, hear this story:

Once Upon a Time

Once upon a time, long, long ago as you count time, there was a race of souls, a family—family of souls—who decided to create a magnificent adventure. They would create a new experience in physical reality through great polarity and transition. They would create a new race of beings to experience reality in a heightened way, in an experience of joy and ecstasy that they themselves would create as vehicles for their souls to experience reality through.

But in order to create this new race of beings that souls would experience ecstatic reality through, the family would first need to divide. One part of the family—one half of the souls—would go to one parallel reality on one planet. The other half would go to another parallel reality version of the same world.

And in both, in whatever languages they created over time by incarnating into these two parallel realities over eons of time that they had created to exist, they would remain connected through energy, through linkages, through incarnations going back and forth to design each parallel reality to be an expression of polarity, to experience polarity in both transitions and challenges in both, but with one overall difference in their agenda, in their theme of exploration on a larger scale.

Two Parallel Earths

In one parallel plane of the planet they called Earth, they would experience the idea of polarity and limitation to such a degree that they would allow for the destruction of their society and their culture. And in time, they would find that their technological advances would force them to choose to mutate in such a manner as so that they could not reproduce, that they could not feel, and they could not continue such a culture. They had to create the idea of a dead-end culture, create the idea of desperation, and create the idea of looking for any doorway they could find through which to continue their being, their race, their world.

And so by their connection to the other group of beings who incarnated in a parallel reality Earth, who although they experienced the challenges of polarity would have chosen to not destroy their world, they thus had one avenue by which they could survive.

And so they crossed that bridge into the parallel reality Earth in which there was still viable human DNA that they could use, together with the agenda they had both agreed upon from time immemorial, to create the new race called hybrid—that would one day form the vehicle in physical reality that both sides of the soul family would incarnate into.

The Birth of Hybrid Races

And from that day forward would experience the idea of transformation of polarity, transformation of darkness into light, transformation of all challenges into ecstatic explosions of experience in the idea of physical reality creation.

So that in time, the one world called Earth that survived would find that incarnations of humans would eventually be less and less as the souls chose to incarnate over the period of a thousand years into those ideas, those vehicles, those bodies called hybrid, who represented the idea of the emotional balance, the mental balance, the spiritual balance.

[Music]

And in breathing life through those new forms, would birth a new awareness, a new understanding, and would release, release, release all ideas, all connections, all experiences that no longer serve them, and would breathe in deeply a new life, a new awareness, a new reality, a new parallel world—still Earth, but not Earth—a new story, a new beginning, a new “once upon a time.”

For in a thousand years of your time, human incarnation in that sense—the human journey on Earth—will no longer be required as a story. You will have lived that story as the family of souls that you started out to be, will have rejoined the other side of the family of souls that created the negative polarity that joins you now, so that in that polarity junction, in that polarity joining, you can accelerate and bring all your energy back together and move forward in an accelerated way to a new experience of a new reality and a new story as new beings.

The Sixth and Seventh Hybrid Races

For the seeds of hybridization already exist within all of you and will change more and more and more over time, until such time as in a thousand of your years, Earth will be the sixth hybrid race.

And at that time, all six hybrid races will join together, and together will create a seventh hybrid race out of all the hybrid races that will take the next step in the next story to what has been euphemistically in your mythology called “seventh heaven”—a new vibration, a new expression of All That Is, where all six hybrid races will come together and create one new hybrid race that all the souls that have partaken in this story, in this journey, will then avail themselves of—have a new vehicle to explore and experience a new level on the very cutting edge of what you call physical reality.

The Future

Highly refined, highly crystallized and clear, highly purified and accelerated—and a new life form in a balance of carbon and silicon will exist as the seventh hybrid race.

This is only one of the journeys that your spirits have chosen to be a part of—the beginning, the very beginnings, the very seeds, the very crystalline seeds of a new story that spans thousands of years and has a thousand years to go to the beginning of yet another.

But we, as extensions of your family, extend to you our deepest gratitude, our deepest appreciation for the sharing of this journey together and the blending together once again into one soul family that in time will express itself in a whole new understanding of physical reality—one of sheer and pure ecstatic joy and manifestation on a level incomprehensible to your beings now, incomprehensible to your mentality now, but which you shall live fully in the fullness of your time in a time of timelessness to come.

Closing Visualization

Breathe in now the roots of the story—the roots of your story individually and collectively—knowing that you are a part of the greater story and a greater story of stories yet to come.

For all stories begin and all stories end, but all stories also go on forever and ever, becoming new stories, larger stories, deeper stories, stories of understanding of the total being of the self—a story of All That Is, a story that shall exist for all time. The story of all stories, of which you play a part. Your stories—each of them—are seeds of the greater story, reflections of the greater story, mirrors of the greater story—the infinite story of your being and your experience of All That You Are.

Breathe in your birthright. Breathe in your story. Breathe in your being and breathe it out again, for with each breath you tell a new story of a new being from a new perspective, over and over and over again—always new, always for the very first time—a story of unconditional, unlimited, and infinite love experiencing itself in all the ways it can.

Breathe it in. Breathe it in. Breathe it in, and feel the unconditional support of your story—your beautiful, beautiful, unique story, without which infinity could not be infinite, for you are a vital part of the story, or you would not exist.

Rejoice that you are a story and part of a greater one—the story of the greater you, of All That Is.

Awaken into the dream and tell your story, share your story, be your story, live your story.

[Music]

Breathe now easy and deep, knowing that you are breathing the very lifeblood of your story with every heartbeat, every breath.

Immersed in the beautiful story and the sea of stories of all you have agreed to share. Share your story with a part of the larger story, and we thank you for allowing us to share our story with you as you share your story with us.

Breathe it in and breathe it out—it is your nature, it is your very essence, it is your very being. Story of light, story of love—a story without end.

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Part Nine: Closing Tributes and Final Blessings

Bashar: Allow your music to soften, allow your lights to soften, knowing that the music and the lights are always within you as part of your story, wherever you go, whenever you are—here and now, always and forever. So be it.

Breathe it in and make it your own, and let it go. Breathe it in and let it go. Breathe it in and hold it—it is yours, it is unique, it is you—and blow it out to share with all forever and always. So be it.

And now, you may allow yourselves to awaken into your new dream as new people, at whatever pace is comfortable and peaceful for you. And in your own way, you may now share whatever else in your story you have decided to share with us this day that you call the day of the father.

In our ancient language, the word for father is “Too.” Too. The word for daughter is “Nania.”

I wanted to take this opportunity today, Father’s Day, to acknowledge you—not only for myself but also for all the people that are connected with Bashar and that enjoy his energy. And as part of this, I’d like to share some of the things that I love about you and invite others to join in experiencing these ideas as they are applicable for you.

One of the things that I love about you is your guidance and your wisdom—the way you always give us such a balanced perspective on everything. In such a crazy world that we have here on Earth, to feel that balanced perspective is such an incredible gift and something that we can all partake in and become.

I also love the way you always support our dreams—to become the best people that we can become, to become our fullest selves—and the way that you inspire us to really live our passion fully without limitation, to fully express ourselves in the ways that are the most joyful, the way that we were when we were first children, to fully experience life and ecstasy because it’s our birthright. That message is just such an incredible freeing experience, and we’re so grateful to have that.

I also love the way you express yourself with such clarity and conviction—the way that you show us how the universe works and how we can become master manifestors simply by changing ourselves and changing our frequency. That message too has been so liberating and so wonderful to experience.

I also love the way you encourage us to really believe in ourselves—to let go of any negative definitions of self that might be holding us back from living our best lives. That encouragement penetrates deepest to our souls and really allows us to feel the opportunity to become more and more every day.

I love your honesty and your directness—the way you always get to the heart of things. When things seem confusing, you’re able to just get right to what’s happening and help everything become crystal clear.

I love your creativity and the way that you are just so much fun—you make life so much fun and show us that we can do that for ourselves. We can have such joyful, happy lives if we allow ourselves to. And you’re just so incredibly funny that you make me laugh and laugh and laugh—sometimes even when I’m by myself, I’ll just think of something you say and I laugh straight from my heart.

I love your kindness and your compassion—the way that I know that I can come to you and talk to you about anything and that you will always be there with an open heart. You are always the steadfast, the one that can be counted on to deliver the same energy, the same love all the time. That love is never changing—it’s always there, it’s always deep, it’s always incredible.

And probably most of all, the gift that I love that you’ve given to all of us is that you’ve shown us over and over again that no matter how dark things may look at any particular moment—how confusing or painful or whatever is happening that seems insurmountable—you’ve shown me over and over again how to transform that into positive light, how to see the silver lining and how to make that my reality instead of the one that’s filled with darkness.

You are always that lantern in the night—that light shining so bright.

You are so deeply loved and appreciated, and I thank you so much for being the absolutely best father in the whole universe. Thank you. Happy Father’s Day.

[Applause]

Bashar: That was beautiful. There is no greater gift you can give to us than the gift of giving yourselves. Nania.

Presenter: Shivani. And as an extra gift, we have Kim here to play the hung because we know you enjoy the hung, and to serenade you. And while you’re being serenaded, if you want, think about all the things that you love about Too and the joy that he’s brought into your life.

So, first of all, I would like to invite you all to close your eyes and just go into the most tender space in your heart. I’m going to be playing a lullaby in honor of Father’s Day, but I would like to invite you—if you feel moved—to sing or vocalize or anything you feel moved to do.

[Music - Chanting]

Chanting: Nani, Nani, Sani, Sani, Shak… You are our ancestors, we are family, we are one. Join us in the exalted light and create heaven on Earth. As you allow us to reflect our heaven to you, We call you in our language—Anani—the ancient ancestors. Nani, Nani, our family… Shak, Shak, Sani, Sani… Shak, Shak, Anani as Shak…

[Music continues]

Bashar: So be it. It is an… Shivani.

Presenter: Shivani.

Bashar: How did it go?