Fear, Past Experiences, and Children’s Theater
Asker: I’ve had a lot of fear.. About 20 years ago I used to smoke pot, Marijuana. I got an extreme fear, like being all alone in the world and not… No one caring about me. It was like the scariest feeling. There was like nowhere to go. It was just horrible.
Bashar: Oh, well, who cares?
Asker: it’s really ridiculous because I… it’s like there’s this part of me that’s going through all this really strange fear stuff, and then there’s this other part of me that knows it’s… that knows it’s the truth, but yet I don’t know where all that comes from.
Bashar: As you expand your consciousness, you will become more aware of the negative possibilities at the same time you become more aware of the positive ones.
So you will fill your repertoire, your life library, your card file with flashes of all sorts of potential negative ways to experience any particular step or stage you may be considering or pondering or be aware of at any given moment, just as much as you’ll be able to think of the positive side.
So in creating certain experiences in your past and in gathering yourself back together now, in literally reminding yourself, you will scan all the potential ways you could choose to either react or respond to any given concept that now plays out in your consciousness. Just because you’re having that doesn’t mean you need to react to it. It’s just there as an observation. The observation in and of itself does not cause you to feel the fear. It is simply your assumption that somehow those things are coming back or somehow have power to manifest that is what is causing the fear reaction. It’s just an observation. Let it be just an observation.
Asker: About 16 years ago I was in Maui, and I saw… it was the sun was just setting, and it was rather light out, and I saw a ship.
Not too… didn’t seem like it was that far away, and I could see the… I could see a lot, you know, the shape and the colors defined. Define it. Yes. It it looked like a Pleiadian ship as far as what I have seen pictures and what I’ve heard. But I was with about 10 other people, and nobody else saw it but me.
Bashar: That is not uncommon. The entire universe is based on frequency and vibration, and it is very easy to allow ourselves and others of our like to key our vibrations to the point or to the pitch where it is literally keyed or tuned to the frequency of one particular individual. No one else will perceive it.
Asker: I thought it was really strange that those people didn’t see it.
Bashar: It is very common.
Asker: But now, could you tell me who they were? ‘Cause I… it feels so… when I every time I think of it, it’s like it just happened, and I feel really connected to…
Bashar: Do you feel connected to yourself?
Asker: Yeah.
Bashar: Does it allow you to feel a little more light and uplifted?
Asker: Yeah. Seems like there’s some blocks though.
Bashar: But you will transform them. These are friends, in actual fact, to some degree. Cousins from another experience going on at the same time in another part of your soul.
They are in that sense letting you know that you are loved, letting you know that the connection still exists, has never been broken. Do you have plans to go back to that area?
You are going to have a very strong connection in ‘97. We just know you are going to have a very strong connection to this in ‘97. How do you feel about children?
Asker: Oh, I love them dearly. I have one.
Bashar: Is there something that you wish to do with children? Everything? Nothing? How do you wish to interact with them?
Asker: Well, playfully. I with my daughter, she’s really… we play all the time, and she’s very… she’s so artistic, and I think a lot in sort of um… dancing and singing and playing and acting and theater.
Bashar: And have you thought about conducting children’s theater?
Asker: No, not really.
Bashar: Is it something you think you would find exciting?
Asker: Oh, yeah. But I don’t know how I would do it. It sounds wonderful though. I love theater. I love film and all that.
Bashar: When they ask, “Will you begin?”
Asker: Well, I’m… I’m open to doing it now.
Bashar: Do you have in your imagination any kind of indication whatsoever as to how to take the first step?
Asker: Um, just saying that I would do it. I’m sure the first step… First step. Not statement. Step. The first step. Well, no. Not necessarily.
Bashar: Do you have a picture in your mind? Choose the one that excites you the most. Do you have a picture in your mind of this most exciting thing? Do you have a picture of yourself doing it? Can you see yourself doing it?
Asker: I really like television a lot.
Bashar: All right. Can you see yourself doing it?
Asker: Yeah.
Bashar: Can you see the show you would create?
Asker: I can see somewhat of what I would create. I could see all right, sort of, you know, kind of what the type of show I would do.
Bashar: Can you give us an example?
Asker: Yeah. Kind of like um… it could even be like things of Sesame Street and Mr. Rogers, but you know, just sort of like that. Not exactly, but that kind of fun things with children and doing things, learning and stuff. That’s what I see.
Bashar: Do you see anything else?
Asker: Oh, let’s just music. Music and all right. Something else will occur to you. It’s right on the threshold of your consciousness, but you’re not letting it through. But that’s all right. That’s all right. You can’t tell me.
Bashar: No. Because it is not our duty to influence you.
Asker: Well, see, that’s what I mean. It’s like I’ve got some kind of block.
Bashar: No, you don’t. You just think you do. How do I start then? Dive into the block. Dive into it. This is one of the lessons you could create on your show: How to dive into the block and explore it and find out what’s there, what it’s composed of, what it has to offer, what lessons are there to be learned. A block is not a block; it is an arrow pointing in an unexpected direction. You must examine the whole concept of expectations in this case. The arrow points up. That is the only clue they will let me give you.
Asker: Oh, all right. Oh. Please. Can I give her one more clue? Just one. Oh, please. Maybe if you make your face really sad. Maybe if you pout a little bit. Stick your bottom lip way out. Let it quiver. Let it quiver for effect. Please. Effect. Please. Please. They don’t think you sound… I’m not an… That’s not what I’m to be. Please. Please. Please. Please. One moment. They are discussing [Music]. Something. If a child were given a ship such as you saw, ask them what they would do with it.
Asker: Oh, that’s great. You know. Thank you. Well, I just have to say one thing. I have this book right now that one of your books that I’m borrowing, and my daughter… there’s a picture of the ship, you know, the couple pages of the diagram for the ship, and she every time she sees that book, she says, “Ship! Ship!” And she makes me show her those two pictures. And also the other one of the…
Bashar: Be you mean to tell me you made me beg them for information you already had?
Asker: Well, there goes my reputation. There goes my standing in the club. Manipulated by a [Applause] [Applause] humor.
Break
Daughter’s Weight, Imperial Energy, and Archery
My 18-year-old daughter is very, very heavy. And she’s so heavy that I feel great concern for her physical health and for her physical mobility and for her social mobility as a result of the weight that she carries on her body.
How, as a parent, do I find the intersection between accepting her totally and loving her totally without perpetuating or enabling a condition that I feel and believe is dangerous and damaging to her?
All right. Now we understand your terminology. One moment.
What does the child enjoy doing in life?
So this in and of itself will be of some assistance. This traveling there will be reconnections to memories in that place that will allow her to process her imperial stature. Yes. And in processing her imperial stature, she will understand how to fit that much power into her present life without representing it in terms of mass.
This is a strong one. Yes. A very strong one. This is a ruler. This is you ruling. Yes. You can hear say, “Off with his head. He displeases me.”
What she is doing is giving herself a buffer to some degree in the following way: One, it is representative of the amount of power, the amount of energy she knows herself to have, and yet in this life is not being expressed fully in the way it was expressed in other lives, especially in France. Thus, she contains her entire entourage with her. But she will learn how to adjust the idea of the flow of power in a new way that will allow her to streamline her understanding of how power can flow through an individual rather than an individual representing power by surrounding themselves with it. This is what she needs to learn. Is she musically inclined?
One moment. She is a fascinating study. One moment.
The musical outlet would be of assistance. It will teach her how to channel energy, and in that channeling, she will allow some of what she retains as mass to be converted back into energy and to flow. The vigorousness of what she has chosen is to some degree an indication of her strong desire to do this and her impatience with this on some level, because she wishes to feel that she is back in touch with her natural center of power and is to some degree frustrated by not understanding why she doesn’t fit—or I’ll put it this way, because this is really how she sees it: She doesn’t understand why the reality of the present day doesn’t fit her.
She must learn to rechannel the concept of the imperial energy into something of a different nature. Going to France will assist in this. By the time she is 21, much of this could already be alleviated. You understand? Yes. Even though she’s carried this since she was—does not matter. It is the timing of what is going on that we are describing now, and that journey that will put her in touch with certain ideas and people that will assist her in other ways.
We would simply recommend and suggest that if she is approached by individuals in that country who are attempting to help her reduce the weight through some sort of technique specifically for that purpose, that she avoid them. When then she encounters individuals who will simply interact with her and share with her their fire of creativity and their passion for life, she will begin to learn how to channel her energy in ways that will allow her to feel that she still is acting on a royal level without having to have the idea of the royal entourage or the royal scenario politically speaking in order for her to feel that energy.
Well, in a sense, to some degree, she is. But also, so we are seeing a little bit of—well, no offense—pompousness here. Yeah. Because again, she is used to ruling and is offended by the idea of having to indulge in common practices. Yes.
The taking up of the drums is, in a way, though it will be constructive for her, her form of throwing a royal tantrum that is acceptable.
Ancient Lineages, Feminine Energy, and Divination
Okay. It feels feminine. It feels like I’m trying some way to connect with those memories, with that lineage, and to bring it forth. And in this personal records search, it also feels like I’m connecting with records stored in the earth. In the earth consciousness. They’re trying to link up and come through somehow, and I don’t quite know how to facilitate that coming out.
Has your imagination provided any manifestation or indication of what direction this idea of information release could go in?
I would like to write a book somehow. It feels like bringing the lineage up into the new dimension that we’re working into. And it feels very feminine to me. It feels like I’m somehow to work with women. Yes. The horns of the moon. Yes. And the feminine energy. And bringing in the feminine to the new world coming in. Bringing in the balance. It must be balanced.
But yes, dealing with the idea to some degree of the rising, raising of the feminine vibration so that it can be balanced within each and every individual ultimately.
Or it is one of the best ways. Yes. One moment. Eventually, you may wish to explore an experiment with a few other trigger mechanisms. Sound is one of them, as connected perhaps to crystals, or as connected to the idea of divination. Oracular divination in pools of water. Bowls of water. Reading of the herbs.
Reading herbs. Herb reading. Not herbology. Herb reading. There is a whole other level to the understanding of the symbology of herbs. You can read them in a similar fashion to the tarot if you will learn how to revive that arcana.
There will be other kinds of experiential journeys that you can undertake, but for now, these will be the best methodologies available to you in this moment.
Anxiety, Conspiracy, and Self-Empowerment
One thing they do not understand is that if they truly choose to create an experience of that nature, it is, by definition, a segregative experience and must, by definition, eventually collapse in upon itself.
By creating an alternate system that allows each and every individual the ability to feel their own true self-empowerment, then in that sense, you will create a vibration of an alternate system which individuals can shift over to should they desire.
There may be individuals on your planet who think in that sense that they can create the kind of reality that you’re being told about. It is true that some of them think along those lines. Because you have created your governments to act in that way. You have created them to be compartmentalized and secretive and, in this sense, not very often hold you, the public, in high esteem.
But you are the government. You are the government. And when you start acting like it, you will recognize that you have the ability to create alternate systems, parallel systems, that individuals can then compare the two in and shift over to the systems they find preferable.
And whatever vibration you are will be the reality that you experience, no matter what anyone else’s intention is for you. Just keep your eyes open, keep your feet on the ground, move in the direction of the reality you prefer, and remember, in that sense, you will become invisible to those who wish to play around in the shadows.
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